NEW RELEASE
Orchestral Tools announces Monolith by Richard Harvey, the latest collaboration between the Berlin-based sample library designers and the celebrated composer. Monolith delves into Harvey’s vast musical instrument collection to create a powerful, contemporary ensemble of cinematic percussion—with a dynamic array of unique, rare, and antique drums. Monolith is available now for an intro offer price of €199 (€299 + VAT regularly) until Thursday, April 18, 2024.
Sculpting sonic thunder
Monolith offers the contemporary composer a vast range of curated percussion options that have been carefully sculpted for maximum sonic range and playability. Pulled from Harvey’s enviable instrument collection that spans musical traditions from around the globe, these 53 rare and antique drums offer everything from thundering bass blasts to skittering polyrhythms, arranged as curated ensembles as well as selected single instruments. There are 68 patches in total which include both pure and processed sounds for a wide variety of dynamic percussion textures. The result is a powerful, modern percussion toolkit ideally suited for cinematic projects as well as contemporary composition, game scoring, and creative sound design.
The sounds for Monolith were captured at AIR Lyndhurst, one of the world’s foremost locations for recording international movie scores. Each drum was captured with single hits, flams, upbeats, rimshots, and clacks, and many drums offer a choice of beaters or hands for maximum versatility. The joint team of Orchestral Tools and AIR Studios recorded each ensemble and instrument in 10 mic positions. This offers a wide range of sonic options, from very close to the expansive sound of the full room. And it allows composers to perfectly mix the sounds into any production or composition. As AIR Lyndhurst is a perfect sonic match with the Teldex Scoring Stage, Monolith blends extremely well with other Orchestral Tools collections.
In terms of playability, Monolith offers multiple keyboard mappings. Most patches offer dynamic mapping, with the drums mapped from quiet to loud across the keyboard—this approach is perfect for detailed pattern editing. Alternatively, patches are also provided that employ the more traditional approach of having each note on a single key and managing dynamics by velocity.
AIR Lyndhurst
The sounds for Monolith were captured at AIR Lyndhurst, one of the world’s foremost locations for recording international movie scores. Each drum was captured with single hits, flams, upbeats, rimshots, and clacks, and many drums offer a choice of beaters or hands for maximum versatility. The joint team of Orchestral Tools and AIR Studios recorded each ensemble and instrument in 10 mic positions. This offers a wide range of sonic options, from very close to the expansive sound of the full room. And it allows composers to perfectly mix the sounds into any production or composition. As AIR Lyndhurst is a perfect sonic match with the Teldex Scoring Stage, Monolith blends extremely well with other Orchestral Tools collections.
In terms of playability, Monolith offers multiple keyboard mappings. Most patches offer dynamic mapping, with the drums mapped from quiet to loud across the keyboard—this approach is perfect for detailed pattern editing. Alternatively, patches are also provided that employ the more traditional approach of having each note on a single key and managing dynamics by velocity. 
Through conducting, composing, orchestrating, and playing on numerous film and television soundtracks, Richard Harvey has made an indelible mark on the industry. Not only has he worked on or composed celebrated soundtracks such as The Little Prince, The Da Vinci Code, The Lion King, Interstellar, Luther, Disney's live action Mulan, and Harry Potter and the Prisoner of Azkaban, he has worked with some of the biggest names in the business: Hans Zimmer, guitarist John Williams, and Paul McCartney to name a few.
In addition to his compositional and performing work, Richard is an avid collector of musical instruments, with over 700 from all around the world. He's made it his mission to share them with the composing community. Monolith offers the chance to experience these exquisite rare drums from Richard's collection.
“The sonic identity of orchestral percussion has evolved tremendously over the past century of cinematic scoring,” said Orchestral Tools CEO Hendrik Schwarzer. “Monolith was designed to reflect the wide range of dynamics and textures now required by contemporary composers, as well as provide them with fresh, new, rich, and organic sounds that can be used in a modern context.”
“We welcomed the opportunity to once again collaborate with Richard and utilize his incredible experience and collection of drums to create something truly special. We’re eager to hear how composers make use of it.”
Collection highlights
53 rare and unique drums, 68 patches
Ensembles and selected single instruments
All drums carefully tuned and voiced
Hits, flams, and upbeats
Multiple beater options
Dynamic keyboard mapping
Alternative mapping options and processed patches
20 dynamic layers
10 mic positions
Recorded at Lyndhurst Hall, AIR Studios
For more information about Monolith by Richard Harvey, please visit:
AVAILABLE HERE: ORCHESTRAL TOOLS
"Monolith towers over many existing drum sample libraries due to its impeccable production and the obvious care and attention that went to its construction. Richard Harvey and Orchestral Tools have delivered again—a must-have, instant classic!"
— Harry Gregson-Williams
The sounds for Monolith were captured at AIR Lyndhurst, one of the world’s foremost locations for recording international movie scores. Each drum was captured with single hits, flams, upbeats, rimshots, and clacks, and many drums offer a choice of beaters or hands for maximum versatility. The joint team of Orchestral Tools and AIR Studios recorded each ensemble and instrument in 10 mic positions. This offers a wide range of sonic options, from very close to the expansive sound of the full room. And it allows composers to perfectly mix the sounds into any production or composition. As AIR Lyndhurst is a perfect sonic match with the Teldex Scoring Stage, Monolith blends extremely well with other Orchestral Tools collections.
In terms of playability, Monolith offers multiple keyboard mappings. Most patches offer dynamic mapping, with the drums mapped from quiet to loud across the keyboard—this approach is perfect for detailed pattern editing. Alternatively, patches are also provided that employ the more traditional approach of having each note on a single key and managing dynamics by velocity.
Through conducting, composing, orchestrating, and playing on numerous film and television soundtracks, Richard Harvey has made an indelible mark on the industry. Not only has he worked on or composed celebrated soundtracks such as The Little Prince, The Da Vinci Code, The Lion King, Interstellar, Luther, Disney's live action Mulan, and Harry Potter and the Prisoner of Azkaban, he has worked with some of the biggest names in the business: Hans Zimmer, guitarist John Williams, and Paul McCartney to name a few.
In addition to his compositional and performing work, Richard is an avid collector of musical instruments, with over 700 from all around the world. He's made it his mission to share them with the composing community. Monolith offers the chance to experience these exquisite rare drums from Richard's collection.
“The sonic identity of orchestral percussion has evolved tremendously over the past century of cinematic scoring,” said Orchestral Tools CEO Hendrik Schwarzer. “Monolith was designed to reflect the wide range of dynamics and textures now required by contemporary composers, as well as provide them with fresh, new, rich, and organic sounds that can be used in a modern context.”
“We welcomed the opportunity to once again collaborate with Richard and utilize his incredible experience and collection of drums to create something truly special. We’re eager to hear how composers make use of it.”
Collection highlights
53 rare and unique drums, 68 patches
Ensembles and selected single instruments
All drums carefully tuned and voiced
Hits, flams, and upbeats
Multiple beater options
Dynamic keyboard mapping
Alternative mapping options and processed patches
20 dynamic layers
10 mic positions
Recorded at Lyndhurst Hall, AIR Studios
For more information about Monolith by Richard Harvey, please visit:
AVAILABLE HERE: ORCHESTRAL TOOLS
"Monolith towers over many existing drum sample libraries due to its impeccable production and the obvious care and attention that went to its construction. Richard Harvey and Orchestral Tools have delivered again—a must-have, instant classic!"
— Harry Gregson-Williams
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.