Friday, March 29, 2019

NEW: Omnisphere 2.6 by Spectrasonics


Version 2.6 of Spectrasonics Omnisphere® is available now, adding major new enhancements to the Omnisphere Arpeggiator and hugely expanding the Hardware Synth Integration feature with full support for over 65 Hardware Synths. 
The new update more than doubles the number of profiles, adding support for iconic synths including the Roland Juno-106, Super Jupiter, Alesis Andromeda and the Roland D-50. Also added are 600 brand new patches and this update is completely FREE for all registered Omnisphere 2 users.

Major Arpeggiator Update

Omnisphere’s Arpeggiator gets a major update in v2.6 with brand new creative tools, making it one of the most flexible arpeggiators ever. The many innovations include new Pattern Modes, Step Dividers, Pitch Slides and the ability to alter Chord Voicings and Chord Inversions per step.
Also included is a new Arpeggiator Preset Library showcasing all the creative possibilities. In addition, Omnisphere 2.6 now captures the MIDI data of the arpeggiator as a standard MIDI file, which can be dragged to any DAW for further editing.

Expanded Hardware Synth Integration

Omnisphere’s unique and innovative Hardware Synth Integration bridges the physical experience gap for the user between software and hardware, offering intuitive control of Omnisphere by using the familiar layout of their hardware synth.
With the new 2.6 release, many requested hardware synth profiles have been added, including support for over 65 popular hardware synthesizers from Moog®, Sequential®, Roland®, Korg®, Novation®, Nord®, Behringer®, Access®, Studiologic® and Yamaha®. The supported hardware synths cover a wide array of form factors and price ranges for different types of users.
Virtual instrument users experience the joy of the hardware synth workflow and hardware synth users can now fully expand their capabilities into the vast sonic world of Omnisphere!

New Sounds

Omnisphere 2.6 features an “Hardware Library” boasting 600 new patches created by Eric Persing and the acclaimed Spectrasonics Sound Development team. Notably, the update takes Eric’s original sound design work from the classic 1987 Roland D-50 into new sonic territory with Omnisphere’s vast synthesis capabilities.


Vast New Synthesis Possibilities:

Now includes over 14,000 inspiring sounds for all types of music production
Ground-breaking Hardware Synth Integration allows hands-on control of Omnisphere
Audio Import - Use your own audio file as a soundsource
Over 500 DSP Waveforms for the Synth Oscillator
Sound Match™ feature instantly locates any related sounds in the library
Hardware Library with distinct ‘classic analog’ flavour
Spotlight - EDM library with next-level, modern sounds
Powerful Granular Synthesis for amazing transformations
57 incredible FX Units, which are fully integrated and can be modulated
Creative “Psychoacoustic” sounds from the renowned Spectrasonics sound design team
Sound Lock™ feature gives endless useful variations by locking sound aspects while browsing
Wavetable Synthesis - Each waveform is a Morphing Wavetable
ORB circular motion interface allows infinitely-shifting variations
Deeper FM/Ring Modulation capabilities for aggressive timbres
Dual Filter architecture includes more than 34 Filter algorithms in series or parallel
Performance-oriented Live Mode allows for seamless patch layering on the fly
Flex-Mod™ modulation system allows powerful, modular-style matrix routing
Stack Mode interface allows for complex patch-layering, splits, and crossfades
Mini-Browser available at all times plus larger Full Browser design
Up to 20 oscillators per patch can be either DSP synth or sample-based
High Resolution resizable Interface with “Zooming” into deeper synthesis levels
Eight independent Arpeggiators with unique Groove Lock™ feature
Polyphonic Timbre Shifting/Crushing, Waveshaping and Reduction
Eight full-featured LFOs per patch, with syncing and complex waveforms
Twelve Envelopes with both simple ADSR-style or advanced multi-breakpoint interfaces
Easy Sound/Project Sharing for collaborators and third-party libraries
Sample-based soundsources can be processed with synthesis features
…and much, much more!

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