Friday, March 29, 2019

Omnisphere 2.6 by Spectrasonics -Released!





OMNISPHERE 2.6:
 
Version 2.6 of Spectrasonics Omnisphere® is available now, adding major new enhancements to the Omnisphere Arpeggiator and hugely expanding the Hardware Synth Integration feature with full support for over 65 Hardware Synths.
The new update more than doubles the number of profiles, adding support for iconic synths including the Roland Juno-106, Super Jupiter, Alesis Andromeda and the Roland D-50. Also added are 600 brand new patches and this update is completely FREE for all registered Omnisphere 2 users.

Major Arpeggiator Update

 

Omnisphere’s Arpeggiator gets a major update in v2.6 with brand new creative tools, making it one of the most flexible arpeggiators ever. The many innovations include new Pattern Modes, Step Dividers, Pitch Slides and the ability to alter Chord Voicings and Chord Inversions per step.
Also included is a new Arpeggiator Preset Library showcasing all the creative possibilities. In addition, Omnisphere 2.6 now captures the MIDI data of the arpeggiator as a standard MIDI file, which can be dragged to any DAW for further editing.

Expanded Hardware Synth Integration

 
Omnisphere’s unique and innovative Hardware Synth Integration bridges the physical experience gap for the user between software and hardware, offering intuitive control of Omnisphere by using the familiar layout of their hardware synth.
With the new 2.6 release, many requested hardware synth profiles have been added, including support for over 65 popular hardware synthesizers from Moog®, Sequential®, Roland®, Korg®, Novation®, Nord®, Behringer®, Access®, Studiologic® and Yamaha®. The supported hardware synths cover a wide array of form factors and price ranges for different types of users.
Virtual instrument users experience the joy of the hardware synth workflow and hardware synth users can now fully expand their capabilities into the vast sonic world of Omnisphere! 

New Sounds
 
Omnisphere 2.6 features an “Hardware Library” boasting 600 new patches created by Eric Persing and the acclaimed Spectrasonics Sound Development team. Notably, the update takes Eric’s original sound design work from the classic 1987 Roland D-50 into new sonic territory with Omnisphere’s vast synthesis capabilities.



OMNISPHERE FEATURE LIST:
 
Vast New Synthesis Possibilities:
  • Now includes over 14,000 inspiring sounds for all types of music production
  • Ground-breaking Hardware Synth Integration allows hands-on control of Omnisphere
  • Audio Import - Use your own audio file as a soundsource
  • Over 500 DSP Waveforms for the Synth Oscillator
  • Sound Match™ feature instantly locates any related sounds in the library
  • Hardware Library with distinct ‘classic analog’ flavour
  • Spotlight - EDM library with next-level, modern sounds
  • Powerful Granular Synthesis for amazing transformations
  • 57 incredible FX Units, which are fully integrated and can be modulated
  • Creative “Psychoacoustic” sounds from the renowned Spectrasonics sound design team
  • Sound Lock™ feature gives endless useful variations by locking sound aspects while browsing
  • Wavetable Synthesis - Each waveform is a Morphing Wavetable
  • ORB circular motion interface allows infinitely-shifting variations
  • Deeper FM/Ring Modulation capabilities for aggressive timbres
  • Dual Filter architecture includes more than 34 Filter algorithms in series or parallel
  • Performance-oriented Live Mode allows for seamless patch layering on the fly
  • Flex-Mod™ modulation system allows powerful, modular-style matrix routing
  • Stack Mode interface allows for complex patch-layering, splits, and crossfades
  • Mini-Browser available at all times plus larger Full Browser design
  • Up to 20 oscillators per patch can be either DSP synth or sample-based
  • High Resolution resizable Interface with “Zooming” into deeper synthesis levels
  • Eight independent Arpeggiators with unique Groove Lock™ feature
  • Polyphonic Timbre Shifting/Crushing, Waveshaping and Reduction
  • Eight full-featured LFOs per patch, with syncing and complex waveforms
  • Twelve Envelopes with both simple ADSR-style or advanced multi-breakpoint interfaces
  • Easy Sound/Project Sharing for collaborators and third-party libraries
  • Sample-based soundsources can be processed with synthesis features
    …and much, much more!







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