NEW RELEASE
Spitfire Audio announces availability of collaborative CONTEMPORARY DRAMA TOOLKIT to create a score in an instant!
LONDON, UK: Spitfire Audio is proud to musically (kick)start the New Year by announcing availability of its first ‘full-blown’
library of 2021 with the timely release of CONTEMPORARY DRAMA TOOLKIT — teaming up again with British composer,
producer, and songwriter Samuel Sim, whose scores for film and television have won numerous awards and accolades
including BAFTA and Ivor Novello Award nominations, this time to bring more electronic dynamism and texture that is
perfectly suited to today’s modern drama score stylings as a carefully curated set of tools to create a score in an instant
using only one of 44 different combination patches that bring together classic and broadcast-ready sounds, simplicity
and ease of use being at its KONTAKT-hosted core — as of January 21,2021.
Spitfire Audio previously worked with BAFTA- and Ivor Novello Award-nominated film and television composer Samuel Sim on its hugely-successful BRITISH
DRAMA TOOLKIT to provide the most instinctive, immediate, and intense connection to the heart of composition as a KONTAKT-hosted
sample library
comprising a small string and woodwind section, recorded on the sound-specializing British music technology company’s purpose-built dry
stage at its London
headquarters. Although a more traditional package, presenting a unique
way of interacting with the players — ensembles are mapped across the
full length
of the keyboard with the playing styles tied to velocity, instantly
allowing anything from emotive whispered textures through to bold,
characterful solos — set
the fully NKS (NATIVE KONTROL STANDARD®) supporting plug-in instrument in question apart from anything Spitfire Audio had created to date... until now.
Needless to say, CONTEMPORARY DRAMA TOOLKIT takes
a different approach by including 44 different combination patches and
72 individual instrument
patches that bring together classic and contemporary broadcast-ready
sounds originating from a masterfully mellow combination of the classic,
chorus-
enhanced tones of an Eighties-vintage, distinctive-sounding Roland
Juno-6 analogue polysynth and textures from the iconic Seventies-vintage
Korg MS-20
analogue semi-modular monosynth, alongside lead lines performed on
guitar, electric cello, and electric violin, all processed via an
enviable collection of
analogue effects and Eurorack modules. All are carefully curated by
Samuel Sim and Spitfire Audio’s
production team of engineers and composers with
expression baked into each sound. Simply speaking, velocity enables
everything — from whispered textures to bold melodies blossoming from
the simplest
variance in playing, unlocking a world of sound in every patch.
Consequently, CONTEMPORARY DRAMA TOOLKIT users can forget about the computer and
quickly write music with little effort by responding instinctively to the drama at hand — just like the BRITISH DRAMA TOOLKIT trailblazer.
Putting it this way, Spitfire Audio co-founder and composer Paul Thomson’s heartfelt introduction is right on cue: “From
his many years’ experience, Samuel has
curated a set of sounds which allow you to articulate emotion incredibly
easily, and are hugely inspirational, allowing you to react to picture
in real-time as you
play. When we say contemporary, we don’t mean contemporary in the sense
of the subject matter, such as sci-fi, but we mean contemporary approach
to
scoring — the kind of scoring approach that many directors are asking
for today.”
Think of it like this: trying to recreate a cue created in CONTEMPORARY DRAMA TOOLKIT or BRITISH DRAMA TOOLKIT using
any alternative sample library would
necessitate laying down each section at a time, starting with the bed,
then the melodies, as well as taking time to find the sounds themselves —
all of which
would effectively steer the composer into writing in a certain way by
building from the bed upwards, rather than reacting to the onscreen
sounds or action.
As it happens, Paul Thomson himself is no slouch when it comes to finding his way around a keyboard, so is perfectly positioned to explain how he puts — and
anyone can put — CONTEMPORARY DRAMA TOOLKIT’s musical modus operandi into practice: “Playing with a different kind of velocity triggers the different
levels of sound — the different dynamics, and this is represented on the UI [User Interface] with three sections: the bottom [TEXTURE] section is for beds or
textures; the top [LOUD] section is that very expressive lead type of sound; the middle [SOFT]
section bridges the gap between the two and allows you to
smoothly move between them. Either you play it in live, and you get a
kind of manual dexterity of being able to play certain notes louder, or
it’s very
straightforward to play a part and them go in afterwards in your DAW
[Digital Audio Workstation] and adjust the velocities to trigger the
specific layer that you
want each note to sound.”
Sounds simple? That’s the beauty of CONTEMPORARY DRAMA TOOLKIT. It is simple, yet works well. Which is, of course, what it is all about. After all, the curation of
the sound itself is where Samuel Sim and Spitfire Audio have collaboratively spent so much time, treating the recordings and instruments to offer a wide array of
useful sounds with modern music-making in mind. Minimal (MIC, MIX, LP filter, Expression, Reverb, and ADSR ENVELOPE) controls and (ROUND ROBIN & LEGATO)
settings are equally endearing in their ease of use.
Ultimately, Paul Thomson clearly concurs when ending on a high note: “It’s
incredibly simple, it’s very expressive — easy to articulate emotion in
these patches,
with lots of inspiration from a huge palette of sounds to give you this
contemporary scoring style; you can either use it to create whole cues,
just with individual
patches, or you can use it to layer in with other sounds to give that
kind of contemporary feel to your scoring.”
Time, then, for any composer to consider adding BRITISH DRAMA TOOLKIT to their scoring toolkit? Time, too, to score in an altogether different way since Spitfire
Audio is making available an exclusive DRAMA TOOLKIT COLLECTION, comprising CONTEMPORARY DRAMA TOOLKIT and BRITISH DRAMA TOOLKIT, which is only
available during CONTEMPORARY DRAMA TOOLKIT’s time-limited introductory promo period.
CONTEMPORARY DRAMA TOOLKIT can be purchased and digitally downloaded for a time-limited introductory promo price of £129.00 GBP (inc. VAT)/
$149.00 USD/€149.00
EUR (inc. VAT) until February 11, 2021 — rising thereafter to an MSRP
(Manufacturer’s Suggested Retail Price) of £169.00 GBP (inc. VAT)/
$199.00 USD/€199.00 EUR (inc. VAT) — from here: https://www.spitfireaudio.com/ shop/a-z/contemporary-drama- toolkit/
(Note that a time-limited cross-
grade price of £109.00 GBP (inc. VAT)/$129.00 USD/€129.00 EUR (inc. VAT) is available to owners of BRITISH DRAMA TOOLKIT until February 11, 2021.)
An exclusive DRAMA TOOLKIT COLLECTION — comprising CONTEMPORARY DRAMA TOOLKIT and BRITISH DRAMA TOOLKIT — is also available
for anyone to purchase and digitally download for a time-limited promo price of £258.00 GBP (inc. VAT)/$298.00 USD/€298.00 EUR (inc. VAT)
until February 11, 2021 from here: https://www.spitfireaudio.com/ shop/a-z/drama-toolkit- collection/
CONTEMPORARY DRAMA TOOLKIT needs Native Instruments’ KONTAKT PLAYER (5.6.8 or higher) — a free version of the KONTAKT sample playback engine
(included in its purchase) — to run as a fully NKS (NATIVE KONTROL STANDARD®) supporting plug-in instrument for Mac (OS X 10.10 or later) or Windows
(7, 8, or 10 — latest Service Pack, 32/64-bit), while Spitfire Audio’s free Download Manager application allows anyone to buy now and download anytime.
AVAILABLE HERE: SPITFIRE AUDIO
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